as you said when i first asked you for help with a thousand plateaus, the goal shouldn’t be to understand d&g’s work completely and sequentially but rather to allow thought patterns that they introduce to take root in you and begin processes of proliferation. with this piece i can tell that im starting to taste the fruits grown by the conceptual vines sprawling across my brain. they’re delicious.
the use of dance as a lens is a good choice and has lots of emotional resonance for me, especially w/r/t the “third term” you’ve been talking about in interpersonal relations. i sense the possibility of a connection between that idea of an assemblage greater than the sum of its parts and hofstadter’s theory of consciousness, dm me if you wanna hear more.
love how it kinda decomposes into chanting, a perfect match of form and content—i can’t remember the last time that reading words made me feel goosebumps before this. it's so fucking cool that you made this and let us see it!!
as you said when i first asked you for help with a thousand plateaus, the goal shouldn’t be to understand d&g’s work completely and sequentially but rather to allow thought patterns that they introduce to take root in you and begin processes of proliferation. with this piece i can tell that im starting to taste the fruits grown by the conceptual vines sprawling across my brain. they’re delicious.
the use of dance as a lens is a good choice and has lots of emotional resonance for me, especially w/r/t the “third term” you’ve been talking about in interpersonal relations. i sense the possibility of a connection between that idea of an assemblage greater than the sum of its parts and hofstadter’s theory of consciousness, dm me if you wanna hear more.
love how it kinda decomposes into chanting, a perfect match of form and content—i can’t remember the last time that reading words made me feel goosebumps before this. it's so fucking cool that you made this and let us see it!!